Professional writer

Review of Business for Authors: How to be an author entrepreneur, by Joanna Penn

Business for AuthorsThere are lots of books about writing – so many, in fact, that you could comfortably avoid doing any writing at all simply by setting out to read them all. There does come a point where you need to actually sit down and write. But if there is one book that is worth taking time out to read, and use as a reference, it's Business for Authors.
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4 Reasons to get published

It's important to be published by a traditional publisher

Image by Terry Freedman via Flickr

In this day and age, in which anyone can publish and distribute their books electronically, or self-publish them by going down several routes (none of which need include the traditional vanity publisher), why should anyone bother approaching a traditional publisher? After all, very few of the thousands of manuscripts that publishers receive find their way into book form, and of those that do, very few hit the big time. There are, in fact, at least 4 reasons to try to get published by the age-old process of going to publishers.

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What acting taught me about public speaking

speaker with a lot of microphonesMany moons ago I took up amateur dramatics for a while. That may seem a bit odd for someone who likes to keep himself to himself, but someone invited me to see a play he was in, and I thought it looked like fun.

I have to say that the thought of going on stage was a terrifying experience. Note that I said the thought of it, not the experience itself. I’ll try to explain.

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Should you speak for free?

2012 Green Heart Schools public speaking competitionIn the article 3 reasons that non-fiction authors should speak, I suggested why public speaking can be important to an author. But the question arises: should that be at any price?

My natural inclination, my default position if you will, is that if you’re good enough to be asked to give a talk, do a presentation or run a workshop, then you deserve to be paid for it. As my wife so succinctly put it to me: “Nothing doesn’t buy anything.”.

However, situations, like people, are different from one another. At the end of the day, if you are asked to give a talk without payment, your decision of whether or not to accept is one that involves weighing up the (perceived) costs and benefits. Here are the considerations you might wish to take into account.

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Should you write for free? 8 considerations.

On the whole, I am against the idea of writing in return for no money. We all of us have to eat, and find the money to pay the rent or mortgage. Moreover, the more people who are willing to write for nothing, the less likely it is for editors to pay for work. Unfortunately, the usual law of supply and demand prevails, which is to say that the greater the supply relative to demand, the lower the price in the marketplace. Even though the products being offered are not likely to be the same, if an editor needs an article, or is on a tight budget, price may well be the deciding factor.
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National story-telling week

Maths Activity and Story Telling : PrathaThe only thing wrong with Spark London is that it is confined to London, which is only to be expected of course! However, the good news for people who like the idea of story-telling as a way to improve their writing (see 4 ways that Spark London is good for writers) is that there are story-telling clubs and events all over Britain.
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Is it possible to write better if you write faster?

I’ve been prompted to ask this question because I recently picked up, in a second-hand bookshop, a book called “No plot? No problem!”. The author is Chris Baty, who started the "Write a novel in a month” competition, otherwise known as “Nanowrimo”.

I haven’t read very much of it yet, but from what I have read I’m impressed.

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