Homophones are words that sound the same but don’t mean the same, such as fare (food) and fare (cost of travel), or their and there. In Oulipo, you take a phrase and think of one which sounds like it. I believe that it is permissible to stretch the definition of “sounds like”, so I have taken advantage of that fact. Once you have a phrase, the idea is to construct a short story around it.
In the story below, there are three such phrases. See if you can pick them out, and identify the originals on which they are based. Answers next week!
Jackie swished in, dripping. “I’ve invited Toby for dinner tonight.”, she told me. “He was an absolute darling: saw me at the bus stop covering my head with a newspaper, and gave me a lift home. He didn’t have time for a cup of tea, so I thought I’d repay his kindness with a meal.”
I groaned. “Toby? Aw, not Toby? He can talk the hind legs off a donkey.”
“Look, it was the least I owe to a knight in a gale. Anyway, stop moaning, and look at this. I bought some new bird food. It contains suet, sunflower seeds, aduki beans, mealworm —”
“Eh? aduki beans?
“Indeed”, said Jackie. That’s what makes this rather special. One can’t overstate the importance of beans in a nest.”
“Beans! They certainly saw you coming! Beans indeed. Anyway, what time is your knight in shining armour arriving?”
“8 o’clock. So help me unpack this shopping, and then go and make yourself presentable.”
Other articles related to the Oulipo
This article contains a hidden message stating the title of my desired course. The message is hidden in plain sight using a well-established technique in the text, which has then been further processed using a standard Oulipo approach.
I think evaluations are very odd devices to be honest. Someone once “marked me down” on her evaluation of a one day course I was running on the grounds that the traffic was terrible.
In London on June 8th I’ll be teaching a course called Creative Writing Using Constraints, an introduction to the world of the Oulipo. This is a round-up of some of the books I’ll be referring to and talking about.
This course will look at examples of constraints created by some of the Oulipo’s main proponents, with work including the Hundred Thousand Billion Sonnets, the Metro Poem, and others. Course participants will have the opportunity to try out several techniques, and invent one or two of their own.
In Escapism: a 50 word prose poem I presented readers with a prose poem constructed in accordance with a constraint, and invited them to suggest what that constraint might be. Here’s the poem again, followed by the solution.
The following story has been written in accordance with a constraint, in true Oulipian style. The Oulipo is a writing movement based on constraints, such as omitting the use of a particular letter when composing a text.
If your interest in the Oulipo goes beyond simply trying out their techniques, and you wish to learn about the context in which it was conceived and the developments in went through, you will find this book very useful.
I have a course coming up, one that I’m teaching. I asked an AI writer to draft a press release for it. Here’s what it came up with, with my annotations in italics and in square brackets.
Many people advocate free writing as a way of cutting through writer’s block. Well, it’s never worked for me, and it doesn’t seem logical anyway. If you can’t think of anything to write, how would allowing your mind to just generate stuff do any good?
On the surface, this would seem to be nothing more or less than an example of performance art presented as literature. However, there is much more to it than that because Johnson has introduced elements of randomisation…