An especially useful idea is the ladder of abstraction, which is equivalent, in cinematic terminology, to the level of detail in a scene, from close-up to long shot.
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Review: Storycraft, by Jack Hart
Like Chekhov's gun (if a gun appears in Act 1, it has to be fired at some point), actions like someone clearing their throat are pointless if they add nothing to how we see them as a character.
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