How do you know if you are, objectively speaking, a success as a writer?
Read Moreprofessionalism
The Professional Writer: Learning the tools of your trade
Observe any specialist, and they know exactly which tool they need for a particular job. Writers, too, should know what tools they need, and how to use them.
Read MoreThe Professional Writer: Act professionally! 7 types of professional behaviour
At the risk of stating the obvious or, worse, being tautological, I think the mark of a professional writer is that he or she behaves professionally. What might professional behaviour look like?
Read MoreThe Professional Writer: Know Your Rights
Do you know about types of copyright and moral rights?
Read MoreThe Professional Writer: Bad company
Should you write for poorly-edited publications featuring poorly-written articles?
Read MoreNegotiating practice
It’s all very well my coming along and saying: “Negotiate! They can only say ‘no’.”, as I did in the article entitled The Professional Writer: Negotiating. But how do you work up the courage to do so?
Read MoreThe Professional Writer: Negotiating
Why is negotiating essential for the professional writer?
Read MoreThe professional writer: Contracts
A contract is essential — even between friends.
Read MoreThe professional writer: a matter of respect
Why writers should ask for payment — even if they don’t need it.
Read MoreThe professional writer: honing your craft
What does it take to be a professional writer?
Read MoreThe key criterion of a writer’s success
Although I may be accused of taking too simplistic an approach to this question, I really do think that it comes down to just one thing.
Well, in practice, of course, there are many potential indications of success. For example, people telling you they like what you write. People asking when your next book is coming out. That sort of thing.
However, nice as such accolades are, they don’t pay the rent, and talk is, or can be, cheap.