How do you know if you are, objectively speaking, a success as a writer?
Read MoreEarnings spreadsheet, by Terry Freedman
professionalism
Earnings spreadsheet, by Terry Freedman
How do you know if you are, objectively speaking, a success as a writer?
Read MoreObserve any specialist, and they know exactly which tool they need for a particular job. Writers, too, should know what tools they need, and how to use them.
Read MorePencil, by Terry Freedman
At the risk of stating the obvious or, worse, being tautological, I think the mark of a professional writer is that he or she behaves professionally. What might professional behaviour look like?
Read MoreNotebook and Pencil, by Terry Freedman
Do you know about types of copyright and moral rights?
Read MoreShould you write for poorly-edited publications featuring poorly-written articles?
Read MoreNegotiations, by Terry Freedman
It’s all very well my coming along and saying: “Negotiate! They can only say ‘no’.”, as I did in the article entitled The Professional Writer: Negotiating. But how do you work up the courage to do so?
Read MoreNotebook and Pencil, by Terry Freedman
Why is negotiating essential for the professional writer?
Read MoreNotebook and Pencil, by Terry Freedman
A contract is essential — even between friends.
Read MoreNotebook and Pencil, by Terry Freedman
Why writers should ask for payment — even if they don’t need it.
Read MoreNotebook and Pencil, by Terry Freedman
What does it take to be a professional writer?
Read MoreAlthough I may be accused of taking too simplistic an approach to this question, I really do think that it comes down to just one thing.
Well, in practice, of course, there are many potential indications of success. For example, people telling you they like what you write. People asking when your next book is coming out. That sort of thing.
However, nice as such accolades are, they don’t pay the rent, and talk is, or can be, cheap.