Professional writer
I feel a bit like the first person in Khalil Gibran’s story of The Gravedigger. It’s taken me years and years, but I am finally getting rid of boxes and boxes of my clippings, ie the articles I’ve had published.
This is not out of necessity, even though they do take up a fair bit of room in our loft. It’s just that I’ve decided I don’t need them any more, which made me think: why does anyone need to keep their clippings?
I think there are three main reasons.
How do you keep your clippings?
If you keep them in paper format, they take up more and more room as your portfolio grows. If you keep them in boxes in the loft, as I do, you never get to see them anyway. I think if you’re going to store them in printed format you should go the whole hog and keep them nicely bound in some sort of presentation folder, and place them on shelves in your living space so that they can be admired by you and anyone who happens to browse your bookshelves!
Just because I love technology and spend a lot of time on the web, and writing for the web, doesn’t mean I’ve eschewed books. I still use books extensively (and intensively) for my writing. Not any books either, but ones written or contributed to by experts.
I think if you’re serious about writing you don’t want to be messing about with so-called “crowd-sourced” information, which may or may not be correct.
If there’s one thing that really annoys me it’s chapter headings and article headlines where you can’t tell what the subject matter is until you read it. Who needs a situation in which you don’t know if you want to read something until you have read it? The way I look at it is that if the author can’t even be bothered being clear when he’s trying to entice you to read his stuff, why should you be bothered to oblige him by reading it?
It's important to be published by a traditional publisher
Image by Terry Freedman via Flickr
In this day and age, in which anyone can publish and distribute their books electronically, or self-publish them by going down several routes (none of which need include the traditional vanity publisher), why should anyone bother approaching a traditional publisher? After all, very few of the thousands of manuscripts that publishers receive find their way into book form, and of those that do, very few hit the big time. There are, in fact, at least 4 reasons to try to get published by the age-old process of going to publishers.
It’s always a good idea to ask permission to quote someone, especially if you’re (slightly) putting words into their mouths. “How might that arise?”, you might ask.
If you’re doing research for an article, it’s easy to lose track of where you came across information, such as useful quotes you can use. This is where an electronic aide can come in very handy.
Two tools you might consider using are:
Can there be any excuse, in this day and age, for poorly-researched material? There are books, the internet and still, even in these straitened times, public libraries with reference sections.
Although I have had many books published by traditional publishers, I like self-publishing. I like it because it is great for niche topics. However, it is most decidedly not an unequivocally good thing, and there are pros and cons of each approach. This video summarises the issues.
Last year a teenager sent me an article with a covering email saying:
Sorry, I didn’t have time to proofread it properly. Sure you can sort it out!
Email is a marvellous facility. especially for pitching editors or publishers, and for sending a covering “letter” with an article or story. However, there is an inherent danger of its tempting us into being too casual.
Here are “Terry’s Top Seven Tips for professional-looking emails”.
Image by Terry Freedman via Flickr
What makes a professional writer professional? I believe 10 characteristics to be essential. The most fundamental of these is pretty simple, and has nothing whatsoever to do with technology, writing style or how good a tan you have. It’s…